Sunday, 22 January 2012

So Many Cameras, So Little Time

So Many Cameras, So Little Time

Without the camera there is no film, no movie to make. If you start making film on a regular basis you will learn to capture image with a number of different cameras. You will have your favorite but there will be many different ones that you have to hold. At a certain point using film became all but obsolete and digital took over. The introduction of the digital camera made capturing image infinitely easier.

Film cameras are good to work with in the beginning because they teach you how to use a lens. You learn about depth of field and how so push and pull focus plus a variety of other things that you will use when directing the camera. I like to think of using actual film as more organic. The image is a bit hazy and lacks that artificial crispness that a digital image can have. However there is no denying that digital is immediately gratifying.

In the beginning digital was no match for film, but the technicians tweaked it until they developed cameras that are amazing. Film has been relegated to high art and now we have no second thoughts about shooting in digital over film. The costs of processing are totally absent when you use digital to shoot. Getting your film developed was so expensive that in many cases it was prohibitive, but now there are completely acceptable digital cameras in a variety of cost ranges.

Find a digital video camera and a tripod to work with. You will need a tripod with fairly thick legs for sturdiness and a good fluid head for panning. Also before you buy your tripod, make sure that the camera releases from the tripod easily and quickly. You will want a camera that has a good battery system for remote shooting.

There are, any number of great digital cameras out there. You should be able to find a decent camera to shoot action between $500-$800. If you can manage to scrape together $1,000 a good camera is the Samsung VP X220L camcorder with wired external lens. This camera has a neat compact body and it is very durable. A testament to this fact is that this camera was used in the Jack Ass show.

Do some product research, buy your camera and start shooting. Handle your camera so you know just how to pan and focus with the equipment you will be using. Play it back and see how it handles different lighting levels and shutter speeds. Check out how it focuses automatically and practice a bit of manual focusing.

I suggest that you start carrying a camera and building an image bank. An image bank will give you basic generic images that you will need to use as cutaways and various other functions in your film. Learn to look at things through the lens. Direct and build different scenes in the frame and shoot them in still photography first. Before you start production of the actual film, practice shooting with your new camera. You can shoot your crew and the talent. Shoot anything that moves until you get it down.

Tuesday, 10 January 2012

How To Produce Your Own Film

How To Produce Your Own Film

You may want to start out by producing your own film, if you are up to the task. It is a great burden to take on a project, especially when you are new to the business. If you can accomplish this, you will have a film you can show to display your commitment to a film making career.

Once you decide to produce your own film, you will need the resources to make your movie. A film grant is one way to get the funding for your film, but it can be difficult to get this type of grant. You will need to know how the process works when applying for a grant. There are different types of film grants, money, equipment, room and board, film, music, producing, screen writing, directing or a combination of any or all of the above.

Each grant giver has certain guidelines you must meet to qualify for their grant. Quite a few of them want you to produce a documentary of some type. Many of these grant projects have been given awards and are shown on television because they are so inspiring.

The purpose of these grants are designed to help film makers who are unable to get other funding. Others do not have the money to get into a good film school, but they have the talent. These grants create great film makers as well as wonderful films. Some grants allow film makers to get regular funding in the future, after they have shown what an excellent film maker they are.

When a grant funder is considering a project to give to, they look for the passion the film maker has for the project. This is the most important point of consideration when reading a grant application. The film maker will carry this passion and dedication throughout the film making process, no matter how long it takes to finish the film.

The Guerilla Filmmaking Grant was designed to encourage creative, resourceful filmmaking for artists working outside of the "Hollywood industry". Twice a year they award $1000 to produce, shoot, and edit a feature length film. The film maker has control over the look, feel and content of the film. A DVD release of the movie is included. The film maker keeps all rights to distribution. They also include Marketing Advice to help the film maker distribute and sell the movie. All film rights are retained by the film maker. Anyone in the world that is thinking of producing an English language feature film may apply for this grant.

You need to go to http://www.mediadarlings.org/filmgrant/ to check out the entire grant process of this grantor. You will find all of the information you need, and all of the guidelines you must go by to apply for this Guerilla Filmmaking Grant. If you have any questions you can contact them.

There are many places an independent film maker can apply for. Just type filmmaking grants into your favorite
search engine and you will see what I mean

Saturday, 7 January 2012

Filmmaking is Storytelling

Filmmaking is Storytelling

My first introduction to film in school was during a film analysis class, although technically, it was classified as a philosophy class. The professor was quite pompous and made a big deal out of discussing how to actively view a film. No speaking was allowed, and we were to take notes while viewing. He was a little like the Movie Nazi. We discussed film theory and the power of the director in the making of a film at great length.

As a cultural phenomenon, film traces the human need to tell stories back to our oral traditions. Aside from recording history, we all want to be entertained and we all want to hear a good story. If you are going to make a film, you have to have a great story and then be willing to run with it. Talk it up to everyone you know. Enlist the help of others and win them over to the cause of your film. Give your film a catchy name--one that will pop out of people's mouths.

Promote your film shamelessly before you ever have anything in the can. Sell T Shirts with your film logos and sell bumper stickers. Make a website and develop a fan base. Start a blog and be just as edgy and out there as you can, but make sure that people have your film's name on their lips, regardless of how good it is.

I have a friend who produced a film about her high school experience 10 years ago, and this summer it will be distributed. She developed a website, sold things from her film promotion stock, and made a very good fan base for herself before the film was even edited. Her fan base, through the purchase of T-shirts and other promotional items, paid for various things throughout production of the film. She managed to get it made and now her film has been picked up for distribution 10 years later.

To be a filmmaker is to have a big picture mentality on a small picture budget. It is tough to stay true to the storyline when you have a bottom line that is keeping you from the production. One of the reasons you want to talk your film up is that, in the beginning, you will need to find a crew. Usually you will have to use talent that is willing to work for nothing (or next to nothing). You may have to act in your own film as well....and write, direct it, and edit it. Do what you have to do to get the film "in the can" and ready to edit.

You will have to develop tunnel vision with the project. If you have a day job, get used to the idea that you may have to take an extra job for a while to buy a camera or other necessary equipment for shooting. If you have the good fortune to still be a student you have great resources for equipment. If you are not a student, then maybe you can decide to go back to school and study film. You will have at your disposal some of the best resources an aspiring filmmaker can have. Film programs at universities have awesome loan programs that are a hidden resource.

At college, while you can take film equipment out on loan, you may also have access to edit bays and sound booths. In some cases, they are available 24 hours a day. Students are up all night anyway, right? Also, when forming a production crew, students provide good talent for your film when you are in need of actors. You may want to take turns crewing for your friends' films, and they, in turn, will act in yours. Do what you can to build a crew, gather the bare minimum of equipment needed to shoot, and develop a shooting schedule. Once you have the crew and the guns to shoot, everything starts to gel. Press onward.